all artwork.

Maroon Mirage is a vertical abstract painting measuring 80 × 180 cm that combines strength and warmth. This is not a work that quietly disappears into a room – its scale and deep colour palette give it a strong presence. And yet, in its own way, it still brings calmness. Within the Mirage series, I intentionally introduced a more purple-toned undertone in certain areas of the painting. This creates a subtle connection to another series created during the same period: Bordeaux. The work is built up through multiple layers of burgundy and deep red tones, combined with warm metallic accents. I work with different types of acrylic paint, often self-mixed and developed from my own pigment selections. It is exactly within this search for contrast and balance that the nuances emerge that give the work its depth. Not everything is meant to feel sleek or perfect – that is precisely what gives the painting character and keeps it alive. The painting is stretched on a 4.5 cm deep aluminium frame and can be hung without an external frame. The sides are fully painted, allowing the image to continue seamlessly around the edges.

Red City is an abstract painting from the Grounded series, inspired by the warm earthy tones and rich colour contrasts of Marrakech and the surrounding desert. Ochre, burnt browns and golden yellows form the base, combined with touches of soft green and layered purples – colours that echo textiles, spices and market scenes. The surface is built up with layers of champagne gold, bronze and rose gold. These subtle metallic accents catch the light and shift throughout the day, creating a quiet sense of movement. The balance between matte and reflective areas adds depth and refinement. Although I haven’t visited this place yet, the work is shaped through imagination. It’s a landscape that develops layer by layer – a journey I’ve already started in my mind. The painting is stretched on a 4.5 cm deep aluminium frame. The sides are fully painted, allowing the piece to be hung without a frame. Interested in Red City? Feel free to get in touch for pricing or to schedule a studio visit. If you like this style but are looking for a different size or colour palette, I also create commissioned pieces.

Garnet Mirage is a powerful piece within my Mirage series. It carries the same warm color palette that defines the collection, yet in this painting I have reduced the blue and green accents to a minimum. This shifts the focus entirely to the depth of red – from crimson and ruby to darker, almost mineral tones – combined with subtle copper gold that gently catches the light. With this work, I consciously chose a different direction. The paint is applied more thickly, with stronger relief and a more pronounced texture than in the other pieces of the series. This layering creates an enhanced sense of depth. The surface responds vividly to changing light temperatures throughout the day – cooler in the morning, warmer in the evening – allowing the painting to continuously transform. The texture surprises, precisely because the light moves across it in new ways each time. The combination of copper gold with crimson, ruby and other rich red tones makes this piece distinctly warm. Intense, yet balanced. If you are interested in Garnet Mirage, feel free to get in touch. I will gladly share more information about pricing and availability. The painting can be viewed by appointment in my studio in Vleuten, near Utrecht.

For this project, an interior architect approached me with a special request. Her client had fallen in love with Fall d'Orcia I, but the space called for a diptych. This became the starting point for Fall d'Orcia II: a new painting created in the same colour palette and atmosphere, while featuring its own composition and character. Together, the two abstract paintings create a balanced dialogue, yet each piece is equally strong when displayed on its own. This versatility made the commission a perfect fit for the interior. When I personally delivered the paintings, everything fell into place. The historic home, the interior and its owner formed a harmonious setting in which the artworks truly belonged. It immediately became clear why both the architect and her client had been so drawn to Fall d'Orcia I. It was a perfect match – between the artwork, the space and the people who live there. This project illustrates how a commissioned abstract painting can be tailored to complement both the architecture and the atmosphere of an interior. Interested in this series? Fall d'Orcia III is still available. Feel free to get in touch to learn more about this work or to discuss a bespoke painting created especially for your interior or project.

Layers of Connection is an abstract painting in which layering plays a central role – not only in paint, but also in time and experience. The work was developed over a longer period, from 2024 to 2026, moving through different seasons. That evolution is visible in the composition, the colours and the intensity of the piece. This is one of my most intensive works. A canvas where many things come together: material, movement, but also my personal process. The composition shifts from left to right, almost like thoughts moving through the mind. Not linear, but searching. The work reflects how insights sometimes need time to settle – layer by layer. The paint has been applied thickly and in many layers, giving the surface an almost sculptural quality. The edges are visibly shaped by this process and carry a raw, irregular character. From the side, the texture almost resembles leather – tactile, layered and rich in detail. Between the layers, 24k gold leaf appears and disappears throughout the painting. In some places it remains visible, while in others it is hidden beneath newer layers. That tension keeps the work alive and continuously draws the eye across the surface. The colours bring together shades and tones that have appeared throughout my work over the years. In that sense, the painting also feels like a meeting point of earlier collections, directions and experiments. Layers of Connection asks for attention, but also gives a great deal back. It is a work that continues to reveal something new over time. The painting is framed in a black wooden floater frame with an exceptionally slim profile. The clean frame creates a deliberate contrast with the heavy textures and layered surface of the work, which continues around the sides.

Fronsac is an abstract painting from the Bordeaux series, inspired by the layered character of the wine region it is named after. The work carries a fresh tension: between structure and movement, between control and letting go. The foundation consists of layers of different metallic pigments. On top of these, rich burgundy and deep red tones are built up, combined with accents of oxidized green and golden green. These shades give the painting a vibrant, almost youthful energy – like a young wine still developing over time. The contrast between warm richness and rougher, unexpected nuances creates a dynamic composition. Fronsac was created from the idea of building a space where calmness and allure come together, without everything needing to feel perfect. It is precisely the edge of imperfection that gives the work character and openness. A counterbalance to overly polished interiors – a work that dares to breathe. Fronsac reflects the tension between control and release. Between logic and warmth. It is exactly within that contrast that the most interesting image emerges for me. The painting is framed in dark wood with a subtle wine-red glow, deepening the palette and quietly bringing the entire piece together.

Tenno is an abstract painting inspired by autumn around Lago di Tenno in Northern Italy. The work connects to earlier paintings inspired by Italian landscapes, such as the Val d’Orcia series, but this time the focus shifts more towards the mountains and the water. Different shades of gold are woven into the underlying layers, referring to autumn leaves, warm sunlight across the landscape and the reflection of the autumn sun on the lake. In contrast, blue-green accents represent the water, adding freshness and depth to the painting. Because of the many layers, textures and colour contrasts, new details continue to appear. It is a work that invites you to stand still for a moment – or sit with it for a while – as your eye keeps moving through the textures, colours and details. With its size of 80 × 180 cm, Tenno works beautifully on a narrower wall or dividing wall, for example between a living room and kitchen, where it can connect the space without overpowering it. Curious to see how Tenno looks in real life? You are welcome to visit one of the upcoming exhibitions or make an appointment at the studio. Feel free to get in touch for more information or to discuss pricing.

Sanguine is an abstract painting of 120 × 120 cm in which colour takes the leading role. The work feels energetic, expressive and warm at the same time. In the underpainting, I visualised the brain’s tendency to think in boxes and categories – something you discover when viewing the work from different angles. A structured and recognisable foundation. The layers above it create the opposite movement: freer, looser and filled with colour. A kind of release, without completely abandoning what came before. That balance is important to me. Structure gives direction, but it is the space beyond it that creates movement and growth. I translated that tension onto the canvas, partly through the use of rose gold metal leaf. It adds warmth and catches the light in a subtle way. The painting is built up from rich reds and rose tones, combined with different acrylic paints and custom pigment mixtures. Because of these many layers, new details continue to appear – some immediately visible, others only emerging as the light changes. Sanguine moves between structure and freedom, between thinking and feeling. A work that has presence, yet can also become quiet when the light softens and the metal leaf reflects a warm glow. The painting is stretched on a 4.5 cm deep aluminium frame and can be displayed without an external frame. The edges are fully painted, allowing the image to continue around the sides.

Lussac is an abstract painting that carries both calmness and richness, built up in layers that slowly reveal their depth. Like a more mature wine, the work develops through nuance – restrained, yet full of character. The underlying layers of dark bronze, champagne gold and rose gold create a warm foundation that softly reflects the light. The build-up of burgundy and red tones is fuller and deeper than in Fronsac. Here, a certain calmness and balance take over, allowing the colours to blend more seamlessly into one another. The contrast lies less in colour itself, and more in the layering of textures and structures. Warm richness is interrupted by soft, irregular traces, keeping the work alive without becoming restless. Lussac is about the balance between perfection and imperfection. About allowing a touch of rawness within a refined whole. The work offers a counterbalance to the need for everything to feel sleek and controlled, bringing warmth and depth back into the space. The painting is framed in dark wood with a subtle wine-red glow, deepening the palette and quietly tying the work together.

Those familiar with the earlier works in the Grounded series will immediately recognize the warm color palette in Fall d’Orcia III. The works are inspired by the feeling of a Tuscan autumn, specifically in Val d’Orcia. At the same time, this piece has its own structure and character. Warm earthy tones are combined with deep greens and touches of blue, creating contrast and depth. If you’ve ever visited Val d’Orcia, you might recognize that autumn feeling in this work. In this painting, I deliberately built up more layers. The combination of different textures and structures keeps the work engaging to look at – both up close and from a distance. Here too, I have subtly used metallic paint in tones such as bronze, champagne, and dark gold. These details are not immediately visible, but come to life when the light hits the surface. Stretched on a thick aluminum frame, with painted edges and ready to hang. Interested in Fall d’Orcia III? Feel free to call, email, or message me for more information, pricing, or to discuss delivery and installation options.

Gold & Pepper IV unites strength and subtlety. Rich, dark textures are interrupted by refined accents of champagne gold leaf, playfully reflecting the light. As the light changes throughout the day, the artwork continuously transforms - shifting from a soft, understated glow to a warm, sparkling brilliance. Made with the same techniques as the other Gold & Pepper works, this piece has its own unique character. The painting is stretched on a sturdy aluminum frame, and the edges are neatly painted, so a frame is not necessary - it’s ready to be placed directly on the wall. This painting can be displayed in multiple orientations and stands out as a statement piece on its own. It also pairs perfectly with Gold & Pepper III to create an impressive diptych. Interested in viewing or purchasing Gold & Pepper IV, or curious about the diptych? Feel free to get in touch for more information or to arrange a studio visit.

Sienna City is an abstract painting created on commission, inspired by the work Spring and the City. The clients were drawn to specific elements of that piece, but wished to bring the warmth of burnt sienna more clearly to the forefront. The painting was also allowed to be more expressive in presence. Using interior photographs and colour samples from the space, a new palette took shape. Warm layers of sienna form the foundation, enriched with refined details in bronze and champagne gold. These metallic accents catch the light subtly, adding depth and nuance while maintaining a sense of calm. Because the painting was to be hung higher than usual – due to the presence of four-legged companions in the home – special attention was given to the lower edge of the work. The composition is balanced and considered from every angle. Throughout the process, the clients were closely involved. A viewing moment was planned, followed by a few small adjustments. The final installation felt like a celebration, as everything came together naturally – colour, space and intention. The work found its place beautifully. Curious about what a commissioned artwork could bring to your interior? Feel free to get in touch to explore the possibilities.

'Vibrant Splendor' is a striking abstract painting that invites you to explore its deep layers and vivid contrasts. The piece, measuring 140x100 cm, features dark blues and greens with bold neon accents of pink, orange, and a hint of neon green. The interplay of white, pink, and purple adds depth, revealing something new with every glance. With over 30 layers of acrylic paint, 'Vibrant Splendor' was a labor-intensive project that took months to complete. The texture and depth are evident up close, almost inviting you to reach out and touch it. Mounted on a 4 cm thick frame, the piece is designed to be appreciated from every angle, with the sides revealing the complex layering. If you’re drawn to this style but have a different color or size in mind, feel free to reach out for a custom piece.

Alpe d’Lux brings together two worlds: the desire for luxury and a deep connection to nature. Fresh greens and blues evoke alpine lakes, crisp air, and clear mountain light. Earthy tones like sand, clay, and soft greys form the base — a grounded foundation for the whole piece. In the deeper layers, you’ll find subtle metallic accents in champagne, bronze, and gold. They’re not dominant, but reveal themselves when the light hits just right — like those quiet, beautiful moments in everyday life. A layered, serene piece with a gentle glow. Stretched on a solid 4.5 cm deep aluminium frame, with fully painted edges — ready to hang, no frame needed. Do you want to see it in real life or more (price) info? Feel free to send me a message!

Connection is about connection and the story that lies beneath the surface. Soft tones like cream, taupe, white, and grey form the foundation, complemented by bold black accents. A line of 24-carat gold leaf ties everything together — sometimes clearly visible, sometimes hidden beneath layers of paint. And that’s exactly the strength of this piece: not everything reveals itself at first glance. The real value lies in the layers, in what you discover when you take the time to look closer. Just like in life, it’s the experiences and stories beneath the surface that make it truly rich and meaningful. Connection is painted on strong Belgian linen, stretched over an aluminum frame, and measures 120 × 160 cm. Ready to bring a sense of calm, depth, and understated luxury to any space. Interested? And do you want to discuss the price or see it in person? Feel free to send me a message!

Crimson Mirage radiates warmth and intensity. Deep Bordeaux and burgundy tones blend with subtle accents of pink, copper, and earthy hues. Each layer adds new depth and richness to the composition. Touches of bronze-gold paint catch the light, allowing the artwork to reveal a different side throughout the day: soft and bright in the morning, warm and glowing in the evening. More than a painting – Crimson Mirage is an experience that moves with you, continually unveiling new nuances. Fully painted along the edges and mounted on a solid 4.5 cm aluminum frame, this piece requires no frame. However, if you prefer a frame, I’d be happy to arrange it for you. Crimson Mirage is available. Interest? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Ruby Mirage combines rich ruby reds and soft pinks with earthy undertones and delicate metallic highlights. The result is a warm, vibrant work that reveals new details as the light shifts throughout the day. Thin layers of paint create a sense of depth and movement, while the golden accents offer a subtle contrast — just enough to make the piece glow. Mounted on a sturdy 4.5 cm aluminium frame with painted sides, Ruby Mirage is ready to hang. A refined and contemporary work where strength and calm meet in perfect balance. Interested in viewing or purchasing this artwork? Feel free to get in touch for more information or to arrange a studio visit.

Forest Cascade is an abstract painting measuring 190 × 100 cm, created as a commissioned work in which trust and creative freedom played a central role. Through conversations with the client, it became clear that she values luxury and refined materials, while also feeling deeply connected to nature. Bringing these elements together formed the starting point of this piece. During the painting process, a photograph from one of her travels provided direction. Not as a literal reference, but as a feeling — movement, layering and the presence of a forest with flowing water. These impressions guided the composition and rhythm of the work. The painting is built up from multiple layers and materials, including various types of paint, metallic bronze and champagne gold accents, custom-mixed colours and oil sticks. This results in a rich surface with many details, inviting the viewer to keep looking and discovering new nuances. For me as a maker, this is a work in which I was able to put a lot of myself — time, attention and focus. If you are looking for a painting in my style that truly fits you and your space, I would be happy to explore the possibilities together. Feel free to get in touch.

Haute Mirage is an abstract work where the worlds of haute couture and art converge. The inspiration arose from an image of elegance — a dress, a castle, and the timeless allure of fashion translated into color, texture, and movement. Warm tones of burgundy, soft lilac, and powder pink blend with metallic nuances of copper and champagne gold. Between them, unexpected touches of blue appear — a fresh contrast that brings balance and depth. Through its many layers, the painting reveals a rich, almost velvety surface that shifts with the light. Each glance uncovers something new — a subtle sheen, a hidden structure, a suggestion of opulence. Haute Mirage is stretched on a solid wooden frame and set in a black wooden floating frame, giving the work an elegant and timeless presence. Interested? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Square One is a powerful work consisting of nine square panels, each a standalone painting. Three panels are rendered in deep, dark black tones, while the other six feature a soft, creamy white. Beneath the surface, hidden layers reveal colorful compositions in shades of green, pink, purple, blue, gold, and red, enhanced with subtle gold leaf that reflects light in an exceptional way. This contrast symbolizes the colorful world around us and how each person’s perception shapes what they see. Each panel invites you to look deeper, a reminder of how unique our individual perspectives are. The edges are fully painted, and with its sturdy 4.5 cm aluminum frame, no framing is needed. Prefer a black frame? I’m happy to arrange one for you. Interested in viewing or purchasing Square One? Feel free to get in touch for more information or to arrange a studio visit.

Ochre City is an abstract painting inspired by the warm, sunlit tones and timeless atmosphere of Marrakech — often called the “Ochre City.” It captures the quiet rhythm of its surroundings: sunbaked walls, soft sands, and the shifting light that turns gold to amber and finally deep red as the day unfolds. Built up in multiple layers of earthy pigments and metallic paints, this contemporary artwork reveals depth and texture from every angle. Subtle touches of bronze, copper, and champagne gold reflect the light, transforming the piece throughout the day. Balancing warmth and serenity, Ochre City evokes a grounded calm — a reminder of timeless beauty found where nature and culture meet. Stretched on a 4.5 cm deep aluminium frame, the piece is finished with painted edges, making a frame unnecessary. Ochre City is available. Interested? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Auburn Mirage is all about warmth and depth. Rich auburn and copper tones blend with soft earthy shades, while subtle metallic accents catch the light — giving the piece a different mood at every moment of the day. Built up in many layers, the painting reveals quiet movement and texture. From a distance it feels calm and balanced, yet up close it’s full of intricate details. The golden shimmer adds a sense of luxury without losing its grounded character. Stretched on a 4.5 cm deep aluminium frame with painted edges, Auburn Mirage is ready to hang — a powerful, warm piece with a serene energy. Auburn Mirage is available. Interested? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Midnight Mirage is a abstract piece that draws you into its dark, bohemian ambiance. With rich tones of purple, aubergine, orange, and blue, contrasted by deep blacks and metallic accents of copper and rose gold, this artwork offers an ever-changing experience. As the light shifts, new details emerge, making it a piece that continuously reveals itself to the viewer. At 150x150 cm, Midnight Mirage serves as a stunning centerpiece, perfect for those who appreciate depth, complexity, and a touch of mystique in their space. Midnight Mirage is available. Interested? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options. If Midnight Mirage speaks to you but you’re looking for a different color palette or size, the also reach out to me to discuss a customized painting.

If you’ve ever visited Val d’Orcia, you might recognize the feeling of a Tuscan autumn in this work. Warm earthy tones blend into rich greens and deep blues. Ochre and brown bring calm and balance, while lighter, translucent layers add softness and movement. There’s a subtle shimmer in this painting — metallic paints in shades of bronze, champagne, and dark gold. It only truly reveals itself when the light hits just right. A quiet tribute to the rhythm of nature and the power of simplicity. Stretched on a deep aluminium frame with painted edges — ready to hang, no frame required. Interested? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Mirage is an abstract painting that draws you in with its rich, earthy tones and shimmering metallic highlights. Measuring 150x100 cm, this artwork strikes the perfect balance between texture, depth, and light. Its carefully layered design invites you to step closer and explore the details—from the subtle interplay of warm hues to the glimmering accents that catch the light in different ways throughout the day. This piece is all about discovery. Whether viewed from a distance or up close, Mirage reveals something new every time, making it a versatile and captivating addition to any space. Its horizontal orientation makes it an ideal centerpiece above a sofa, dining table, or bed, creating a sophisticated yet inviting atmosphere. Crafted with precision and mounted on a sturdy 4 cm deep frame, Mirage is finished to perfection, including its neatly painted edges - ready to impress from every angle. Available for immediate delivery, this piece is perfect for those seeking a unique statement that blends timeless elegance with modern artistry. Feel free to reach out for more details or to inquire about worldwide shipping options.

With soft spring greens and hints of gentle yellow, the painting 'Spring and the City' brings to life the fresh scents of spring and the warmth of a bustling city. A touch of metallics in an ivory-champagne color adds a subtle shine and extra dimension to the piece. While painting this, I was inspired by the color palette of a classic scene featuring the boulevard of Montmartre. This work invites you to dream of a place full of renewal and vibrancy all year round. Perfect if you, like me, always long for a touch of spring and the charm of a city.

Bronze Essence is an abstract diptych that grew out of a custom commission. At the Excellent Woonbeurs, the clients came across an earlier Gold & Pepper diptych. The powerful combination of texture, metallic accents and layering appealed to them immediately, though for their own interior they were looking for a warmer translation of that piece. To find the right balance, I received colour samples of the floor, the wallpaper and the wall paint, and created two colour studies before they chose the final combination. It's precisely in those nuances — the shift from dark brown to taupe, the slightly warmer gold — that the connection between artwork and interior takes shape. Like all my abstract paintings, Bronze Essence is built up from many layers of acrylic paint. I apply the first layers with a brush, after which the work develops further with a palette knife. This approach creates a rich texture and depth — the kind you want to get up close to and really explore. The champagne and rose gold metal leaf gives the diptych a subtle shimmer that shifts with the daylight. The piece now hangs in the clients' living room, where it's admired every day. Renders of Bronze Essence have also been created in other interior settings, giving an impression of how the diptych comes into its own in different spaces. "Marella's artworks caught our attention right away when we came across her profile on Instagram. She inspired us enormously! [...] We are incredibly happy with the end result, which became a diptych. Thank you again, Marella, for these beautiful artworks that we still enjoy every day." Looking for a custom painting that fits seamlessly with your interior? Feel free to get in touch — together we'll explore the possibilities for a unique diptych or painting like Bronze Essence.

Ruby Mirage II is a commissioned painting, created from a shared connection with the Mirage series. The warmth and layered character of Ruby Mirage formed the starting point, with the wish to create the work in a size that would better suit the clients’ dining room. During The Art Experience, they viewed my work in person. Seeing the layers, details, and the way light moves across the surface gave a clear sense of direction. Ruby Mirage in 100 × 100 cm felt conceptually just right. Based on interior photos, we then chose a larger format of 120 × 120 cm together. Throughout the painting process, I shared images along the way so the clients could follow the development of the work. At the live review moment, everything felt complete. The same sense of alignment was there during delivery and installation. The painting was given a prominent place in the dining room, where the light naturally enhances the warm tones and subtle accents. Are you drawn to this work but looking for a painting in a different size or color palette? I’d be happy to think along with you about a commissioned piece tailored to your space and wishes.

Gold & Pepper III and IV form a powerful duo, yet each piece also makes a statement on its own. The artworks play with contrast: a solid, dark foundation set against warm shades of champagne gold. The use of metal leaf adds a subtle, luxurious shimmer that shifts with the light, giving the work a different appearance throughout the day. Both paintings can be hung in various orientations – horizontally, vertically, or as a mirrored diptych – allowing them to effortlessly adapt to any space. Stretched on a sturdy 4.5 cm aluminum frame, with painted edges, ready to hang. Interested in one of the pieces or the diptych? Feel free to get in touch for more information or to schedule a viewing at the studio.

Gold & Pepper III and IV form a powerful duo, yet each piece also makes a statement on its own. The artworks play with contrast: a solid, dark foundation set against warm shades of champagne gold. The use of metal leaf adds a subtle, luxurious shimmer that shifts with the light, giving the work a different appearance throughout the day. Both paintings can be hung in various orientations – horizontally, vertically, or as a mirrored diptych – allowing them to effortlessly adapt to any space. Stretched on a sturdy 4.5 cm aluminum frame, with painted edges, ready to hang. Interested in one of the pieces or the diptych? Feel free to get in touch for more information, to discuss the price or to schedule a viewing at the studio.

Urban Jungle I & II form a dynamic diptych where order and chaos come together. The two panels can be displayed side by side, either vertically or horizontally — flexible, just like life itself. With earthy greens, deep blacks, and natural textures, this work reflects the constant interplay between a busy mind and moments of clarity. Sometimes, a walk in the forest is enough to bring some order to the thoughts that are running wild. This contrast — structured versus chaotic — is not a conflict but a coexistence. Both sides are equally valuable, simply different. Accents of 23-karat gold leaf highlight the beauty found in both order and mess, giving the work a refined and layered finish. Painted on strong linen and stretched over a 4.5 cm aluminium frame, these pieces are ready to hang — no frame needed. Curious or want to see it in real life? Feel free to reach out!

This square work (100x100 cm) fits perfectly into the Mirage collection. Warm earth tones, copper accents and layered textures ensure that there is always something new to discover. The shiny details catch the light in a subtle way, keeping the painting interesting from every angle. Made with the same techniques as the other Mirage works, but with its own character. The edges are neatly painted, so a frame is not necessary – it can be placed on the wall. Do you want to see it in real life or more info? Feel free to send me a message!

At the edge of the Westerschelde, the water flows inward with every change of tide. Sandbanks appear at low tide, disappear at high tide, and return again. That rhythm lies at the heart of Tidal Passage, created for clients whose apartment looks out over that very water. The commission began with a video call. Alongside their love for the location, I also heard about their shared passion for travel: leaving, discovering, and always coming home again. While designing the composition, I explored the surroundings further, down to a satellite image. The movement from right to left and back again is visible not only in the water, but in the rhythm of the painting itself. The colour palette builds on an earlier work, Forest Cascade, complemented with nuances of chestnut brown and brass gold. The water is rendered in dark, deep green tones, while the land and sandbanks appear in light, warm brown hues. Together they give the piece the warmth and depth that suits this place. It comes through well in photos, but in person the textures, the layers of paint built up with the palette knife, and above all the metallic accents truly come to life. Brass gold, champagne gold and dark bronze catch the light subtly; at delivery, I saw how the sky outside was reflected in them. Tidal Passage was created for one specific place, with a view of the water. Yet I enjoy making renders of my work in entirely different interiors, to show how the same painting evokes a new experience under different light and in a different setting, while its character remains unchanged. Below you'll find photos of the painting in its new home, close-ups of the details, and one such render in another setting. The clients after delivery: "What a journey we've had! [...] The composition embodies exactly the movement that suits us and blends into the surroundings we enjoy: the design of our apartment overlooking the water, the tide that carries us to beautiful destinations around the world and brings us back to the good life here. Thank you, Marella, for this special work." Curious what a custom painting could mean for your interior? Feel free to get in touch to discuss the possibilities.

Sometimes a work needs a counterpart—and that's how Gold & Pepper II was born. Like the first painting in this series, this work plays with the contrast between deep black, warm cream tones and sparkling gold. The coarse textures and dynamic layers add depth and movement, while the subtle metallic accents catch the light and always show something new. This work is hand-finished over the edges, so it doesn't need a frame and comes into its own beautifully from every angle. Gold & Pepper II can make a statement as a stand-alone work of art, but is also perfect to combine with Gold & Pepper I as a powerful diptych.

'Urban Mosaic' is a powerful abstract piece that brings the energy of a modern city to life. This 100x100 cm painting blends a vibrant palette of rich blues, pinks, aubergine, and cream, intertwined with metallics and warm earthy tones. The thick layers of paint create a palpable texture that invites close-up exploration. Every application reveals new details, making the artwork shift its impression depending on the light and viewing angle. This painting serves as a perfect statement piece for any space seeking a touch of urban energy and complexity. If you're looking for a piece that is specifically tailored to your interior or personal taste, I’m happy to discuss the possibilities of a custom-made artwork.

Gold & Pepper is a square painting with an elegant blend of black, white, and gold. Rich gold tones against cooler black and white accents lend this piece a wintry, almost frosty quality, without sacrificing warmth. The interplay of light and dark contrast makes this work chic yet versatile—perfect for those who appreciate a touch of understated luxury in their interiors. Fully painted along the edges and mounted on a solid 4.5 cm aluminum frame, this piece requires no frame. However, if you prefer a frame, I’d be happy to arrange it for you. Gold & Pepper can make a statement as a stand-alone work of art, but is also perfect to combine with Gold & Pepper II as a powerful diptych. Interested? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Embark on a journey into the ethereal with "Moonlit Oasis," a captivating abstract canvas that conjures a vision of a secluded pond adorned with lilies, nestled by a waterfall in a shadowy forest, all kissed by the soft glow of moonlight. This artwork blends serene shades of blue, green, and white, with subtle hints of purple/lilac weaving a tale of enchantment. 'Moonlit Oasis' invites you to experience the tranquility of a hidden sanctuary, where the interplay of colors and forms evokes a sense of serenity and awe. A distinctive masterpiece for those seeking a touch of magic and the allure of natural balance in their space.

Blushing Mirage is an abstract painting of 60x80 cm, constructed with earthy pink tones, warm copper gold colors and subtle metallic accents. It captures the glow of a sunset with dark details for depth and metallic highlights that invite you to get closer. The black wooden frame subtly frames the whole and enhances the intensity of the colours. Blushing Mirage is available immediately. Interest? Send me a message for more information, to discuss the price or to inquire about worldwide delivery or shipping options.

Scirocco is an abstract painting from the Grounded series, inspired by the warm desert wind that travels from the Sahara across North Africa and Southern Europe. While creating this piece, I imagined sand and dust drifting through the narrow streets of Marrakech, briefly softening the colours of the bustling souks before revealing them once again. Warm ochres, deep reds and earthy browns are combined with accents of green and layered purples, creating a rich and balanced palette. Layers of champagne gold, bronze and rose gold add a subtle metallic shimmer, allowing the painting to change with the light throughout the day. Measuring 200 × 100 cm, Scirocco combines movement with a sense of calm. From a distance it reads as one powerful composition, while up close the many textures and colour nuances gradually reveal themselves. The painting is stretched on a 4.5 cm deep aluminium frame. The sides are fully painted, allowing the artwork to be displayed without an additional frame. Interested in Scirocco? Feel free to get in touch for pricing or to schedule a visit to my studio.

Red City II is an abstract painting from the Grounded series. It was created after the original Red City found its new home. The response to that painting was so overwhelming that I wanted to revisit the same source of inspiration. Not to recreate it, but to capture the same atmosphere in a smaller format. Warm earth tones, deep reds and browns are combined with subtle accents of green and purple, creating a rich and layered colour palette. Champagne gold, bronze and rose gold have been incorporated throughout the surface, adding a soft metallic shimmer that changes beautifully with the light. Measuring 50 × 70 cm, the painting is finished with a slim wooden floating frame. The refined frame complements the work and enhances its contemporary appearance while allowing the texture and colours to take centre stage. Interested in Red City II? Feel free to get in touch for pricing or to schedule a visit to my studio.

Kasbah is inspired by the rich colours, textures and atmosphere of Marrakech. While creating this piece, I thought about the many impressions a city like this leaves behind—vibrant textiles, fragrant spices, weathered walls and handcrafted objects, all coming together to create a warm and layered visual experience. That variety is reflected throughout the composition. Especially when viewed in person, the painting invites you on a journey through its layers of colour, texture, subtle accents and intricate details, revealing something new every time you look. Warm reds and earthy browns, ochre and golden yellow form the foundation, complemented by touches of green and layered purples. Champagne gold, bronze and rose gold have been incorporated into multiple layers of paint. These metallic accents catch the light in a subtle way, adding depth, refinement and a gentle sense of movement. The painting measures 120 × 120 cm and is stretched on a 4.5 cm deep aluminium frame. The sides are fully painted, allowing the artwork to be displayed without the need for an additional frame. Interested in Kasbah? Feel free to get in touch for pricing or to schedule a visit to my studio.

Ember Mirage began as a bespoke commission, inspired by Crimson Mirage — an earlier piece the clients felt an immediate, strong connection to. Only the size didn't suit their space, and if they had one preference, it was for the darker corners of that piece. So I developed a new painting with the same warmth, layering and rich texture, this time fully tailored to the dimensions of their interior. There was one more clear wish: a black frame. That bold frame gives the piece a contemporary edge and lets the warm earth tones, subtle metallic accents and refined textures stand out even more. Like many paintings, Ember Mirage starts with a first layer laid down with the brush. From that base, I build up layer by layer with the palette knife: some remain visible, others disappear beneath new colours and textures. That process repeats until the right balance emerges — looking back at the process photos, this piece worked out to roughly thirty layers. The unveiling took place in my home studio, where I present new work in a calm, homely setting, so clients can experience the painting the way it will feel in their own interior. It was an instant match: the piece felt right at home from the very first moment and now forms a warm, personal part of the interior. Alongside its place by their dining table, renders of Ember Mirage were also made in other rooms and lighting situations, giving a good sense of how the piece looks in different settings. Would you also like an abstract painting made to measure, fully tailored to your interior, colour palette and wishes? Feel free to get in touch — I'd love to think along with you about the possibilities.